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-- work about contact menu work about contact landlines (image: 1&2) landlines 01 | 2018 | mixed media on ply | 21000mm x 21000mm | installation view: home, manchester, 2018 | images: © lee baxter 2018 (image 3&4) landlines 02 | 2018 | mixed media on ply | 48000mm x 12000mm | installation view: home, manchester, 2018 | images: © lee baxter 2018 a singularity (installation) 2017 | birch trees, acrylic sphere, spotlight, haze machine | installation view: cheongju, south korea, 2017 | images: © cheongju craft biennale 2017 terrain .4 2017 | leds | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | images: andrew brooks lumen 2016 | neon flex, welded steel | installation view: (1-3) york st john university, york, uk (2016); (4) brecon beacons, uk (2017); (5) broadgate, london, uk (2018) | images: (1-3) © illuminating york, (4) © green man festival 2017, (5) london broadgate. lumen (2016) is an installation of tree-like structures which form a luminous canopy of interlocking neon branches, reconfiguring the experience of a site with otherworldly colour and light. within a darkened environment, the work produces an oasis of light, beneath which a viewer can explore; permitting the occupation of a space after dark and shifitng the way in which it is navigated. each ‘limb’ is individually welded to produce a ‘hand drawn’ linear form, like a drawing on paper that is realised in three dimensions and at the scale of the human body; the viewer enters a dream-like setting, bathed in a vibrant glow, that feels set-apart from everyday encounters. commissioned by make it york for illuminating york festival 2016 of the whale 2015 | white smoke pyrotechnics, white light | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | images: andrew brooks ray 2015 | blue smoke pyrotechnics landscape installation (high resolution digital video installation: 5min00sec) | installation view (1): bury art museum, 2016 | part of loomings: produced by: mark devereux projects , videography by: andrew brooks image: andrew brooks within this work, a cloud of blue smoke emerges from an underground cavern, billowing around a natural ravine and revealing the movements of the wind as it moves through the landscape. as the smoke reaches the height of the ravine, the sun emerges from behind overhead clouds and beams down into the cavern, the smoke revealing defined rays of light cutting down onto the forest floor. the work captures (through high-resolution video) this elusive event, as the sun appears at the perfect moment; enabling viewers to witness this encounter that occurred out in a remote place for a single, specific duration of time. first shown as part of loomings exhibition | bury art museum | bury | uk - 27 february – 14 may 2016 galaxy 2015 | rgb leds, acrylic spheres | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | image: andrew brooks a singularity 2015 | rgb leds, acrylic sphere, white smoke pyrotechnics | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | image: andrew brooks smog 2015 | multi-coloured smoke pyrotechnics | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | images: andrew brooks sail 2015 | white smoke pyrotechnics, white light | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | image: andrew brooks significant within the loomings project was the idea that the interventions into the landscape (as found in each image) should be the only indication of human activity; that the surrounding environments should depict an untouched, pristine wilderness, somehow detached from historical time. conspicuously within this work ( sail – 2015) we began to subtly shift from this approach – leaving visible the path of footprints in the sand that are revealed in a pool of white light. because of this, for me, this work becomes tied to the notion of absence . the glowing cloud rises upward from some departed point of origin, seeming unearthly and impossible as rendered in the frozen instance of the photograph. light traces - exhibition production of sail by klein imaging lunar 2015 | rgb leds, acrylic sphere | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | images: andrew brooks relativity 2015 | lasers, steel frame | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | image: andrew brooks sunspot 2015 | orange smoke pyrotechnics | landscape installation (high resolution digital video installation: 4min23sec) | part of loomings: produced by: mark devereux projects | images: andrew brooks flood 2015 | purple smoke pyrotechnics | landscape installation (high resolution digital video installation: 3min36sec) | part of loomings: produced by: mark devereux projects | images: andrew brooks dusk 2015 | rgb leds, acrylic sphere, smoke pyrotechnics | landscape installation (photograph) | part of loomings: produced by: mark devereux projects | image: andrew brooks loom 2015 | orange smoke pyrotechnics | landscape installation (high resolution digital video installation: 3min40sec) | part of loomings: produced by: mark devereux projects | image: andrew brooks drift 2015 | blue smoke pyrotechnics | landscape installation (high resolution digital video installation: 4min10sec) | part of loomings: produced by: mark devereux projects | image: andrew brooks after the ascent 2015 | high resolution digital scan from jacob bronowski's 'the ascent of man' (1973) | 250mm x 300mm | image: scanned enlargement of the last full-stop in the text from jacob bronowski’s ‘the ascent of man’ (1973). like the black hole lurking at the centre of our galaxy, an inevitable endpoint to things. [final paragraph] “we are all afraid – for our confidence, for the future, for the world. that is the nature of the human imagination. yet every man, every civilisation, has gone forward because of its engagement with what it has set itself to do. the personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the ascent of man.” 8 minutes late 2015 | digital photographic print series | 100mm x 100mm | image: sometimes the sun shines in through the windows of my house and makes squares of light, like paintings hanging on the wall. they move and disappear over time, so i take photographs of them with my phone. they mark the endpoint of a straight line, travelling from my house and out across inter-planetary space; passing through the orbits of venus and mercury and back to the surface of the sun. they arrive on my walls at the end of this journey, many millions of miles crossed in a time of 8 minutes. op drawings 2015 | digital drawings, acrylic, on paper | (1) 500mm x 500mm (2-3) 420mm x 594mm | image: pink, orange, yellow, green (11) 2014 | fluorescent plastic straws, ultraviolet light | installation view: regenerate 14: generator, berlin, germany, 2014 | image: © generator hostels 09004 2014 | laser, haze machine, electric fan, plastic fern | installation view: federation house manchester, 2014 | image: © stephen iles, 2014 over the lake 2014 | steel frame, plastic sheeting, led light | installation view: in another light, croft castle (national trust), herefordshire, 2014 | image: 08019 2013 | fluorescent fishing line, ultraviolet light, weather balloon | installation view: royal british society of sculptors: subterranean, waterloo tunnels, london, 2013 | images: © anne purkiss “the main vault was bathed in red, blue and purple light that dramatised the space. it seemed to hold its breath like a stage awaiting a theatrical event; beamed along clusters of fine wire, shafts of green light sliced through the space from ceiling to floor. they hit their target with the precision of the celestial beams

URL analysis for davidogle.co.uk

https://www.davidogle.co.uk///terrain-4/
https://www.davidogle.co.uk///02024/
https://www.davidogle.co.uk///01002/
https://www.davidogle.co.uk///after-the-ascent/
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https://www.davidogle.co.uk///08020/
https://www.davidogle.co.uk///02002/
https://www.davidogle.co.uk///08009/
https://www.davidogle.co.uk///galaxy/
https://www.davidogle.co.uk///relativity/
https://www.davidogle.co.uk///8-minutes-late/
https://www.davidogle.co.uk///a-singularity-installation/
https://www.davidogle.co.uk///op-drawings/
https://www.davidogle.co.uk///02004/
https://www.davidogle.co.uk///08019/

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